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"His sketches, whether in crayon or pencil, were always excellent, even if they were rapidly executed," Billecocq wrote in his journal."He knew how to capture the essential characteristics of a scene." On 1 April, 1851 Monet entered the Le Havre "college communal" which provided him with a "classical" foundation: Latin and Greek.He later described the Parisian atmosphere of his home as “entirely concerned with commerce, where everyone professed a contemptuous disdain for art.” In reality, Oscar’s mother Louise-Justine was an elegant woman and trained soprano who loved to paint and write poetry."Mme Monet was a consummate hostess who filled their ornately decorated home with music and cultured guests.There were two class sessions, a little over two hours each: one in the morning, one in the afternoon.Fifty years later he was to say: "The school always felt like a prison, I could never resign myself to living there, even four hours a day." Although few documents remain to give information about Monet’s youth, his sketchbook from the months of February to October of 1857 survives.However, income aside, it would be misleading to forget how non-conformist Monet was for his times: he fathered his first child out of wedlock, avoided wartime military responsibilities, setup a household (after the death of his first wife) with a married woman and disavowed religion to say nothing of his revolutionary approach to painting which left the 20th century a lasting legacy." (1) Monet was born on November 14, 1840 on the fifth floor of 45 rue Laffitte, in the ninth of Paris.He was the second son of Claude-Adolphe and Louise-Justine Aubrée Monet, both, second-generation Parisians.

Although he was a bit rebellious as young artists often are, his artistic ambitions were clear from the beginning.The college also housed a school of commerce and municipal drawing school.Luckily, the school was on Rue de la Maillereaye, near Claude's home, so he could sleep at home.The pages of this larger album were of different colors, a common feature of the commercially sold sketchbooks of the time.The paper colors were primarily ivory, gray, warm gray and buff.All in all, it would seem that Monet had a higher standard of living than the average Parisian doctor, and beginning in the 1890s he became downright wealthy.