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Is emma watson dating rupert grint 2016

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Who made the willow whomp, the sorting hat talk and the snitch twitch? The answer, slightly disappointingly, lies just off the M25 near Watford, on the site of a former Rolls-Royce factory.For the best part of the past decade, Leavesden Studios has been the beating heart of the Harry Potter empire, the working space for 800 of its employees.'I went to a school just like Hogwarts, but without the magic,’ Heyman, who was at Westminster, says.'I fell completely in love with the world that Jo Rowling had created.’ He pitched Harry Potter – the story of an orphan boy with an important destiny – to Warner Brothers, and the following year, for a reported sum of £1 million, the author JK Rowling – a Scottish single mother who had written the book while on welfare – sold Warner the film rights to the first four books.'Our job is to translate the believability of the world that Jo Rowling has created,’ Heyman says.'To make it as rich, as detailed and as imaginative as it can possibly be.’ He may be the longest-serving member of the team, but Heyman is quick to heap praise on his right-hand men and women – the heads of department who were once called in for meetings about 'a little children’s film’.This month sees the release of Harry Potter and the Half-Blood Prince, the sixth film in the series.

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'We wanted him to have the kind of translucency that a dead spider in your bath might have,’ Dudman explains. The larger ones are made from the centre of feathers that, one by one, have had fluff put on them and been dragged through Lurex.’ Dudman, like Craig, is devoted to detail.While the stunt coordinator, Greg Powell, and his team rehearsed mid-air collisions, 15ft off the ground with only trampolines as aides, Craig made some important visual decisions.'We shrank the meadow, raised the stands and brought the surrounding Glen Nevis mountains much closer to the pitch,’ he says with God-like authority.'It made everything much more visceral.’ It is very much a collaborative effort.'We have a very open dialogue between departments,’ says the creature effects designer, Nick Dudman, who over the years has been responsible for the creation of such Harry Potter favourites as Dobby the house elf, Fawkes the phoenix, Neville’s cactus, the unicorn and the fire-breathing dragon. But if I can hoodwink people into suspending their disbelief then I’ve done my job properly.’ Heading a team of sculptors, painters, engineers, mould-makers and hair people that averages 70 per film, Dudman 'will not accept something unless it’s perfect.’ Take Aragog the spider.By the time the film of Harry Potter and the Philosopher’s Stone was released, to an insane degree of hype, in November 2001, a further three Potter books had been published, securing its place as the most popular series of children’s books ever.