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Perhaps she fails to feature in these accounts because in her public pronouncements and certain recurring motifs in her fiction, she appeared to turn her back on modernity.

Cather was skeptical about many aspects of the culture that took shape around her in the early decades of the twentieth century, in that most modern place, the United States of America.

Unlike Gertrude Stein or James Joyce, she never wrote prose that radically challenged received ideas of conventional syntax; her sentences remained clean and classical, lapidary in their simple effectiveness.

Her narrative structures, though more complex and experimental than many critics have acknowledged, never equaled the avant-garde complexity we associate with Faulkner.

Manuscripts and editorial correspondence should be addressed to Guy Reynolds, Editor, To some, linking Willa Cather to “the modern” or more narrowly to literary modernism still seems an eccentric proposition.

The urban cultures of Chicago and New York certainly feature in some of her fiction, but the city is not the cynosure of her literary imagination, as it is in John Dos Passos’s , with its cars and movies and phones, best exemplifies the way American fiction of the 1920s registered the massive shift in the sheer “stuff” of everyday life.Commentators have only recently begun to recognize the full extent of Cather’s achievements as a cultural critic and as a writer with a profound and idiosyncratic enthusiasm not only for literature but also for music, theater, and the visual arts.Because of the major anthologies of Cather’s late-nineteenth-century journalistic writings and reviews—, will soon provide digital access to these writings in the form in which they originally appeared in newspaper and magazines).Criteria for selection will be excellence and originality.Manuscripts may vary in length from 4,000 to 12,000 words and should conform to the adheres to a policy of anonymous submission, please include a title page providing author's name and address and delete identifying information from the manuscript.Scott Fitzgerald, William Faulkner, and Ernest Hemingway) was born, and late-Victorian culture formed her childhood world.